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Focusrite Clarett 4Pre Thunderbolt Audio Interface
Better. Faster. Easier.
Excellent sound is the quality Clarett owners love most. With up to 119dB of dynamic range, superbly low noise, precision 24/192 conversion and four specially-designed mic preamps with a unique analogue “Air” effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.67ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.
Four New Clarett Mic Pres with extra ‘Air’
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.
Precision Digital Conversion
Clarett features Focusrite’s class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.
The clarity of Clarett
The Clarett range is acclaimed for its sound quality. It's due partly to Clarett's specially-designed mic pres with the unique "Air" effect, adding air and clarity especially to vocals and acoustic instruments. Plus Focusrite's precision digital conversion, carefully balancing noise floor, dynamic range, frequency response and distortion for the best possible sound to and from your DAW.
We invited audio engineering professionals to a blind listening test at Riverside Studios in Berlin to compare the sound of Clarett to that of the Apollo 8p, from Universal Audio, makers of the Apollo Duo; and the Apogee Ensemble. What did they discover? Watch the Thunderbolt Interface Shootout and find out!
All four mic/line inputs are on the front panel for instant, easy access, and Clarett 4Pre’s compact, rugged form factor makes it ideal for use on the road as well as in the studio.
Simplifying the way you work
Clarett’s ultra-low round-trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too – whether it’s reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.
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